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\selectlanguage{english}
\songcolumns{2}
\beginsong{Still alive}
[by={Jonathan Coulton},cover={portal},album={Portal}]
\cover
\gtab{A}{X02220}
\gtab*{F#m}{X4420X}
\gtab{Bm}{1:X02210}
\gtab{E7}{022130}
\gtab*{Fmaj7}{XX3210}
\gtab{C}{X32010}
\gtab{G}{320001}
\gtab{F}{1:0221000}
\gtab{Dm}{XX0231}
\gtab*{C/B*}{X20010}
\gtab{Am}{X02210}
\gtab{E}{022100}
\musicnote{En arpège jusqu'au début du 1\ier{} refrain.
3\ieme{} couplet en arpège jusqu'à «~Maybe Black Mesa~».
Cette transcription est celle utilisée par Coulton ; capo 5\ieme{} case
pour la tonalité de la bande originale de Portal.
Note : le vrai nom de Do/Si* est Sim\#5addb9add11, mais ça faisait un
peu long.}
\lilypond{Still_alive}
\begin{verse}
This was a \[A]triumph. \[F#m A]
I'm \[F#m]making a \[A]note here:
\[F#m]HUGE SUCC\[A]ESS. \[F#m]
It's \[Bm]hard to over\[E7]state
my satis\[A]faction. \[F#m A]
\end{verse}
\begin{verse*}
\[F#m]Aperture \[A]Science \[F#m A]
We \[F#m]{do what} we \[A]must
be\[F#m]cause we \[A]can. \[F#m]
\[Bm]{For the} good of \[E7]{all of} us.
Except the \[Fmaj7]{ones who} are dead.
\end{verse*}
\begin{chorus}
But there's \[C]{no sense} \[G]crying
over \[F]every mis\[C]take.
You just \[C]keep on \[G]trying
till you \[F]run out of \[C]cake.
And the \[Dm]science gets \[G]done.
And you \[C]make a \[C/B*]neat \[Am]gum.
For the \[F]people who \[E]are
still a\[A]live. \[F#m A]
\end{chorus}
\begin{repeatedchords}
\begin{verse}
I'm \[F#m]{not even} \[A]angry. \[F#m A]
\[F#m]{I'm being} \[A]{so sin}\[F#m]{cere right} \[A]now. \[F#m]
\[Bm]Even though you \[E7]broke my heart.
And \[A]killed me \[F#m A]
\end{verse}
\begin{verse*}
And \[F#m]{tore me} to \[A]pieces. \[F#m A]
And \[F#m]{threw every} \[A]piece in\[F#m]{to a} \[A]fire. \[F#m]
\[Bm]{As they} burned it \[E7]hurt because
I was so \[Fmaj7]{happy for} you!
\end{verse*}
\begin{chorus}
Now these \[C]points of \[G]data
make a \[F]beautiful \[C]line
And we're \[C]out of \[G]beta.
We're re\[F]leasing on \[C]time.
So I'm \[Dm]GLaD. I got \[G]burned.
Think of \[C]{all the} \[C/B*]things we \[Am]learned
for the \[F]people who \[E]are
still a\[A]live. \[F#m A]
\end{chorus}
\begin{verse}
\[F#m]{Go ahead} and \[A]leave me. \[F#m A]
I \[F#m]think I'd pre\[A]{fer to} \[F#m]stay in\[A]side. \[F#m]
\[Bm]{Maybe you'll} find \[E7]someone else
to \[A]help you. \[F#m A]
\end{verse}
\begin{verse*}
\[F#m]Maybe Black \[A]Mesa. \[F#m A]
\[F#m]THAT WAS A \[A]JOKE. Ha \[F#m]{ha, FAT} \[A]CHANCE. \[F#m]
\[Bm]Anyway this \[E7]cake is great.
It's so de\[Fmaj7]{licious and} moist.
\end{verse*}
\begin{chorus}
Look at \[C]{me still} \[G]talking
when there's \[F]Science to \[C]do.
When I \[C]look out \[G]there,
it makes me \[F]GLaD I'm not \[C]you.
I've ex\[Dm]periments to \[G]run.
There is \[C]research \[C/B*]{to be} \[Am]done.
On the \[F]people who \[E]are
still a\[A]live. \[F#m]
\end{chorus}
\end{repeatedchords}
\begin{verse}
And be\[A]lieve me I \[F#m]am
still a\[A]live. \[F#m]
I'm doing \[A]science and \[F#m]I'm
still a\[A]live \[F#m]
I feel fan\[A]tastic and \[F#m]I'm
still a\[A]live \[F#m]
And while you're \[A]dying I'll \[F#m]be
still a\[A]live \[F#m]
And when you're \[A]dead I will \[F#m]be
still a\[A]live \[F#m]
STILL A\[A]LIVE \[F#m]
Still a\[A]live.
\end{verse}
\endsong
\beginscripture{Portal}
The cake is a lie.%
\endscripture