songbook [from: Songs data for LaTeX songbooks http:///www.patacrep.com]
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127 lines
3.6 KiB
127 lines
3.6 KiB
\selectlanguage{english}
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\songcolumns{2}
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\beginsong{Still alive}
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[by={Jonathan Coulton},cover={portal},album={Portal}]
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\cover
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\gtab{A}{X02220}
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\gtab*{F#m}{X4420X}
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\gtab{Bm}{1:X02210}
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\gtab{E7}{022130}
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\gtab*{Fmaj7}{XX3210}
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\gtab{C}{X32010}
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\gtab{G}{320001}
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\gtab{F}{1:0221000}
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\gtab{Dm}{XX0231}
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\gtab*{C/B*}{X20010}
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\gtab{Am}{X02210}
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\gtab{E}{022100}
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\musicnote{En arpège jusqu'au début du 1\ier{} refrain.
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3\ieme{} couplet en arpège jusqu'à «~Maybe Black Mesa~».
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Cette transcription est celle utilisée par Coulton ; capo 5\ieme{} case
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pour la tonalité de la bande originale de Portal.
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Note : le vrai nom de Do/Si* est Sim\#5addb9add11, mais ça faisait un
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peu long.}
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\lilypond{Still_alive}
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\begin{verse}
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This was a \[A]triumph. \[F#m A]
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I'm \[F#m]making a \[A]note here:
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\[F#m]HUGE SUCC\[A]ESS. \[F#m]
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It's \[Bm]hard to over\[E7]state
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my satis\[A]faction. \[F#m A]
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\end{verse}
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\begin{verse*}
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\[F#m]Aperture \[A]Science \[F#m A]
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We \[F#m]{do what} we \[A]must
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be\[F#m]cause we \[A]can. \[F#m]
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\[Bm]{For the} good of \[E7]{all of} us.
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Except the \[Fmaj7]{ones who} are dead.
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\end{verse*}
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\begin{chorus}
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But there's \[C]{no sense} \[G]crying
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over \[F]every mis\[C]take.
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You just \[C]keep on \[G]trying
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till you \[F]run out of \[C]cake.
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And the \[Dm]science gets \[G]done.
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And you \[C]make a \[C/B*]neat \[Am]gum.
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For the \[F]people who \[E]are
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still a\[A]live. \[F#m A]
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\end{chorus}
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\begin{repeatedchords}
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\begin{verse}
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I'm \[F#m]{not even} \[A]angry. \[F#m A]
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\[F#m]{I'm being} \[A]{so sin}\[F#m]{cere right} \[A]now. \[F#m]
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\[Bm]Even though you \[E7]broke my heart.
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And \[A]killed me \[F#m A]
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\end{verse}
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\begin{verse*}
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And \[F#m]{tore me} to \[A]pieces. \[F#m A]
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And \[F#m]{threw every} \[A]piece in\[F#m]{to a} \[A]fire. \[F#m]
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\[Bm]{As they} burned it \[E7]hurt because
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I was so \[Fmaj7]{happy for} you!
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\end{verse*}
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\begin{chorus}
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Now these \[C]points of \[G]data
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make a \[F]beautiful \[C]line
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And we're \[C]out of \[G]beta.
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We're re\[F]leasing on \[C]time.
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So I'm \[Dm]GLaD. I got \[G]burned.
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Think of \[C]{all the} \[C/B*]things we \[Am]learned
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for the \[F]people who \[E]are
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still a\[A]live. \[F#m A]
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\end{chorus}
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\begin{verse}
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\[F#m]{Go ahead} and \[A]leave me. \[F#m A]
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I \[F#m]think I'd pre\[A]{fer to} \[F#m]stay in\[A]side. \[F#m]
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\[Bm]{Maybe you'll} find \[E7]someone else
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to \[A]help you. \[F#m A]
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\end{verse}
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\begin{verse*}
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\[F#m]Maybe Black \[A]Mesa. \[F#m A]
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\[F#m]THAT WAS A \[A]JOKE. Ha \[F#m]{ha, FAT} \[A]CHANCE. \[F#m]
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\[Bm]Anyway this \[E7]cake is great.
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It's so de\[Fmaj7]{licious and} moist.
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\end{verse*}
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\begin{chorus}
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Look at \[C]{me still} \[G]talking
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when there's \[F]Science to \[C]do.
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When I \[C]look out \[G]there,
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it makes me \[F]GLaD I'm not \[C]you.
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I've ex\[Dm]periments to \[G]run.
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There is \[C]research \[C/B*]{to be} \[Am]done.
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On the \[F]people who \[E]are
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still a\[A]live. \[F#m]
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\end{chorus}
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\end{repeatedchords}
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\begin{verse}
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And be\[A]lieve me I \[F#m]am
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still a\[A]live. \[F#m]
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I'm doing \[A]science and \[F#m]I'm
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still a\[A]live \[F#m]
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I feel fan\[A]tastic and \[F#m]I'm
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still a\[A]live \[F#m]
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And while you're \[A]dying I'll \[F#m]be
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still a\[A]live \[F#m]
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And when you're \[A]dead I will \[F#m]be
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still a\[A]live \[F#m]
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STILL A\[A]LIVE \[F#m]
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Still a\[A]live.
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\end{verse}
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\endsong
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\beginscripture{Portal}
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The cake is a lie.%
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\endscripture
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